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"I sometimes think there is nothing so delightful as drawing."
- Vincent Van Gogh
DIBUJOS
"I sometimes think there is nothing so delightful as drawing."
- Vincent Van Gogh
Henry Hate drawings combine precise figurative skill with expressive line, offering collector works and bespoke portrait commissions rooted in contemporary fine art.
Sir Daren 2020
A portrait emphasising authority through stance and restraint symbolism. The figure occupies a composed, almost heraldic posture, situating BDSM power exchange within classical portrait conventions. This is a portrait of Friend and tattoo client Daren.
Watercolor, Ink, Colour Pencil on Rag
"Let me hear you make decisions without your television
Let me hear you speaking just for me" - Stripped Depeche Mode
Watercolor, Ink, Colour Pencil on Rag
"Let me hear you make decisions without your television
Let me hear you speaking just for me" - Stripped Depeche Mode
Sanchez Media Illustration 2023
Ink On Rag
"On a morning from a Bogart movie
In a country where they turn back time
You go strolling through the crowd like Peter Lorre
Contemplating a crime
She comes out of the sun in a silk dress running
Like a watercolour in the rain
Don't bother asking for explanations
She'll just tell you that she came
In the year of the cat." Year Of The Cat- Al Stewart
"On a morning from a Bogart movie
In a country where they turn back time
You go strolling through the crowd like Peter Lorre
Contemplating a crime
She comes out of the sun in a silk dress running
Like a watercolour in the rain
Don't bother asking for explanations
She'll just tell you that she came
In the year of the cat." Year Of The Cat- Al Stewart
Poseidon in Progress
Poseidon 2017
Henry Hate’s Poseidon (2017) reimagines classical male form through queer iconography, blending Tom of Finland authority with Joel Peter Witkin-like mythic intensity.
Graphite, Charcoal, Ink,
"He told me I was so small
I told him, "Water me"
I promise I can grow tall
When making love is free"- Water Me FKA Twigs
Graphite, Charcoal, Ink,
"He told me I was so small
I told him, "Water me"
I promise I can grow tall
When making love is free"- Water Me FKA Twigs
Amy 2020
Ink, Graphite, Charcoal
on Rag
"When I walk in your shoes
I understand a man confused
They much too big, but I don't care
I feel the weight your shoulders bear." Help Yourself -Amy Winehouse
on Rag
"When I walk in your shoes
I understand a man confused
They much too big, but I don't care
I feel the weight your shoulders bear." Help Yourself -Amy Winehouse
Hound Doh In Progress
Hound Dog 2020
An exploration of animality and submission imagery, merging canine metaphor with masculine vulnerability. The drawing reflects the emergence of dominance/submission themes within Hate’s practice during the late 1990s.
Graphite, Charcoal, Ink
"Oh, I said the damndest things
Last night when I was runnin' games
I said "Baby, can I cut your cake?"
Oh, can I have it my own way
Don't I deserve a break today?
Them burns, I like the way you bake" Doe Fries Go with That Shake - George Clinton
Graphite, Charcoal, Ink
"Oh, I said the damndest things
Last night when I was runnin' games
I said "Baby, can I cut your cake?"
Oh, can I have it my own way
Don't I deserve a break today?
Them burns, I like the way you bake" Doe Fries Go with That Shake - George Clinton
Tshirt Illustration -Crying Oceans Design
Ink 2017
|Seven Chinese brothers swallowing the ocean
Seven thousand years to sleep away the pain
She'll return
She will return." 7 Chinese Bros - REM
|Seven Chinese brothers swallowing the ocean
Seven thousand years to sleep away the pain
She'll return
She will return." 7 Chinese Bros - REM
Illustration for Rejected J&B Whiskey Bottle
Ink On Canson
:Jesus freaks out in the street
Handing tickets out for God
Turning back, she just laughs
The boulevard is not that bad." Tiny Dancer - Elton John
:Jesus freaks out in the street
Handing tickets out for God
Turning back, she just laughs
The boulevard is not that bad." Tiny Dancer - Elton John
Rejected Bottle Design for J&B Whiskey
White Lies 2016
Ink On Velum for Screen Printing
"Let me lay it on the line
I got a little freakiness inside
And you know that the man
Has got to deal with it." Freak Like Me - Adena Howard
"Let me lay it on the line
I got a little freakiness inside
And you know that the man
Has got to deal with it." Freak Like Me - Adena Howard
Sketch and Drawing for Haribo Camden Coloured Girl
Ink Graphite Charcoal
Design For Chocolate Line Project
Collaboration art with Dominique Persoone.
Ink on Canson
Portrait of Kent Twitchell
Watercolour, Ink, and Coloured Pencil on Rag
Early work
Early drwaing for Tattoo business card 1998
Early Drawing
Bill Goldberg 1998
Referencing hypermasculine wrestling iconography, the drawing interrogates cultural constructions of strength and dominance. By repositioning the figure within erotic context, Hate reveals latent homoerotic codes embedded in athletic spectacle.
Pen And INk On Velum
Pen And INk On Velum
Oral Extension 1998
A study of intimacy mediated through fetish apparatus, exploring the boundary between body and object. The work treats extension not as obscuration but amplification of sensation and identity, situating BDSM practice within relational embodiment.
Pen and Ink on Vellum
Early Work 1999
These drawings mark the consolidation of Hate’s tattoo-derived line language and his first sustained engagement with leather and BDSM imagery. They establish visual motifs — harness, restraint, devotional framing — that continue throughout later practice.
Early work 1998
These drawings mark the consolidation of Hate’s tattoo-derived line language and his first sustained engagement with leather and BDSM imagery. They establish visual motifs — harness, restraint, devotional framing — that continue throughout later practice.
Coloured Pencil
Coloured Pencil
Early DRAWING 1987
Coloured pencil
Sir Daren 2020
A portrait emphasising authority through stance and restraint symbolism. The figure occupies a composed, almost heraldic posture, situating BDSM power exchange within classical portrait conventions. This is a portrait of Friend and tattoo client Daren.
Watercolor, Ink, Colour Pencil on Rag
"Let me hear you make decisions without your television
Let me hear you speaking just for me" - Stripped Depeche Mode
Watercolor, Ink, Colour Pencil on Rag
"Let me hear you make decisions without your television
Let me hear you speaking just for me" - Stripped Depeche Mode
Sanchez Media Illustration 2023
Ink On Rag
"On a morning from a Bogart movie
In a country where they turn back time
You go strolling through the crowd like Peter Lorre
Contemplating a crime
She comes out of the sun in a silk dress running
Like a watercolour in the rain
Don't bother asking for explanations
She'll just tell you that she came
In the year of the cat." Year Of The Cat- Al Stewart
"On a morning from a Bogart movie
In a country where they turn back time
You go strolling through the crowd like Peter Lorre
Contemplating a crime
She comes out of the sun in a silk dress running
Like a watercolour in the rain
Don't bother asking for explanations
She'll just tell you that she came
In the year of the cat." Year Of The Cat- Al Stewart
Poseidon in Progress
Poseidon 2017
Henry Hate’s Poseidon (2017) reimagines classical male form through queer iconography, blending Tom of Finland authority with Joel Peter Witkin-like mythic intensity.
Graphite, Charcoal, Ink,
"He told me I was so small
I told him, "Water me"
I promise I can grow tall
When making love is free"- Water Me FKA Twigs
Graphite, Charcoal, Ink,
"He told me I was so small
I told him, "Water me"
I promise I can grow tall
When making love is free"- Water Me FKA Twigs
Amy 2020
Ink, Graphite, Charcoal
on Rag
"When I walk in your shoes
I understand a man confused
They much too big, but I don't care
I feel the weight your shoulders bear." Help Yourself -Amy Winehouse
on Rag
"When I walk in your shoes
I understand a man confused
They much too big, but I don't care
I feel the weight your shoulders bear." Help Yourself -Amy Winehouse
Hound Doh In Progress
Hound Dog 2020
An exploration of animality and submission imagery, merging canine metaphor with masculine vulnerability. The drawing reflects the emergence of dominance/submission themes within Hate’s practice during the late 1990s.
Graphite, Charcoal, Ink
"Oh, I said the damndest things
Last night when I was runnin' games
I said "Baby, can I cut your cake?"
Oh, can I have it my own way
Don't I deserve a break today?
Them burns, I like the way you bake" Doe Fries Go with That Shake - George Clinton
Graphite, Charcoal, Ink
"Oh, I said the damndest things
Last night when I was runnin' games
I said "Baby, can I cut your cake?"
Oh, can I have it my own way
Don't I deserve a break today?
Them burns, I like the way you bake" Doe Fries Go with That Shake - George Clinton
Tshirt Illustration -Crying Oceans Design
Ink 2017
|Seven Chinese brothers swallowing the ocean
Seven thousand years to sleep away the pain
She'll return
She will return." 7 Chinese Bros - REM
|Seven Chinese brothers swallowing the ocean
Seven thousand years to sleep away the pain
She'll return
She will return." 7 Chinese Bros - REM
Illustration for Rejected J&B Whiskey Bottle
Ink On Canson
:Jesus freaks out in the street
Handing tickets out for God
Turning back, she just laughs
The boulevard is not that bad." Tiny Dancer - Elton John
:Jesus freaks out in the street
Handing tickets out for God
Turning back, she just laughs
The boulevard is not that bad." Tiny Dancer - Elton John
Rejected Bottle Design for J&B Whiskey
White Lies 2016
Ink On Velum for Screen Printing
"Let me lay it on the line
I got a little freakiness inside
And you know that the man
Has got to deal with it." Freak Like Me - Adena Howard
"Let me lay it on the line
I got a little freakiness inside
And you know that the man
Has got to deal with it." Freak Like Me - Adena Howard
Sketch and Drawing for Haribo Camden Coloured Girl
Ink Graphite Charcoal
Design For Chocolate Line Project
Collaboration art with Dominique Persoone.
Ink on Canson
Portrait of Kent Twitchell
Watercolour, Ink, and Coloured Pencil on Rag
Early work
Early drwaing for Tattoo business card 1998
Early Drawing
Bill Goldberg 1998
Referencing hypermasculine wrestling iconography, the drawing interrogates cultural constructions of strength and dominance. By repositioning the figure within erotic context, Hate reveals latent homoerotic codes embedded in athletic spectacle.
Pen And INk On Velum
Pen And INk On Velum
Oral Extension 1998
A study of intimacy mediated through fetish apparatus, exploring the boundary between body and object. The work treats extension not as obscuration but amplification of sensation and identity, situating BDSM practice within relational embodiment.
Pen and Ink on Vellum
Early Work 1999
These drawings mark the consolidation of Hate’s tattoo-derived line language and his first sustained engagement with leather and BDSM imagery. They establish visual motifs — harness, restraint, devotional framing — that continue throughout later practice.
Early work 1998
These drawings mark the consolidation of Hate’s tattoo-derived line language and his first sustained engagement with leather and BDSM imagery. They establish visual motifs — harness, restraint, devotional framing — that continue throughout later practice.
Coloured Pencil
Coloured Pencil
Early DRAWING 1987
Coloured pencil
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